Watercolor 11"x14"
This is a typical "Atmospheric Perspective" landscape with a
detailed foreground image. The "branches" were made by
blowing wet paint with a straw across the paper.
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Pen and Ink 10"x13"
This picture was done as a classroom example of pen and ink
techniques. Colored drawing inks were used with traditional
hatching and stippling shading techniques.
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Watercolor 15"x22"
This picture was done as a classroom example of Watercolor
techniques. The background uses overlapping and contrast to
show atmosphereic perspective.
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Acrylic 10"x13"
This is a rather straight forward acrylic work using the
standard grade acrylic paint that I keep in stock for
students. It was done as an example to show what is possible
when one focuses on the medium's potential rather than its
imagined limitations.
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Pen and Ink 8.5"x11"
This one that I used as an exercise in 3D separation. To see
the 3D version properly, a standard pair of anaglyph (red on
the left) glasses are necessary. This is the original black
and white image. You can also look at the 3D
version.
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Pen and Ink 10"x12"
I originally gave the first "Familiar" picture to a friend.
Here I recreated the basic theme in another medium. I was
working with a lot of easily reproducible works at the time,
and this one reproduces on a Xerox well.
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Ink 10"x12"
This little fellow was oddly cute, and I felt strangely
compelled to put a hat and glasses on him. The ink is
actually a black watercolor. This image eventually was used
for the cover of the DarkCon
5 convention book.
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Watercolor Pencils on 83# drawing paper 10"x13"
Ok, so I had photograph of this lobster, and I had a box of
Crayola Watercolor pencils, and I got a bit bored one day...
This one was just a sort of "stream of consciousness"
picture.
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Scratchboard 8.5"x11"
This one is less typical of the Familiar series since it
incorporates a portrait as well. The original picture was
going to be just a portrait, but the fish in the background
was added to create some feeling of depth. Afterwards, I
realized that it was yet another in the series.
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Pen and Ink 11"x14"
I use this image to show how to create a detailed surface
with visual texture by using hatching, crosshatching, and
stippling appropriately. For some reason I keep getting
asked what terrible fate awaits the poor raccoon.
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Pencil 10"x12"
This was actually one of my longest pictures in production.
I had the rather boring task of waiting for jury duty in the
summer of 1989. To while away the hours, I took a sketch
book with me, and I gleaned images from people and magazines
in the jury selection holding room. I never served on a jury
that summer, but I did start a drawing from a photograph of
a snake in a magazine. I took this picture out and completed
it in 1996, adding elements that would keep it in the
familiar theme.
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Pencil 11"x14"
This was another of those stream of consciousness images. I
had begun drawing a picture of a spider mostly because I had
not drawn a lot of bugs. The strange flower in the
background was part of the original spider photograph. I
added the chain and finger in just to be ornery.
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Charcoal 10"x12"
This picture was specifically done as one of the first in
the series. My intention at the time was to do at least one
in each of the traditional mediums that we practiced with in
the classroom. Charcoal makes me sneeze, but it is a very
quick medium. This image took less than two hours to
complete.
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